Prue Stent
Prue Stent’s photographs examine the body as material within constructed environments.
Through the use of latex, fabric, water and natural settings, the figure is repositioned outside traditional portraiture. Form is stretched, obscured or merged with surrounding elements, shifting the body from subject to surface.
The work engages contemporary discourses on gender, image-making and the gaze.
Rather than documenting identity, it studies texture, restraint, fluidity and spatial tension — expanding how the body can be visually articulated in photographic practice.
Delphine Burtin’s series Fragments (2018) extends her ongoing investigation into perception, constructed reality, and the instability of photographic truth. Working through a process that merges studio experimentation with sculptural manipulation, Burtin disassembles ordinary materials and reconfigures them into ambiguous forms. These provisional structures—made through folding, cutting, layering, or re-photographing—create images that resist immediate recognition and…
Holly Roberts’ collage practice forms a distinct lineage within contemporary American art, merging photography, painting, and cut‐paper assemblage into a language that is at once raw, psychological, and deeply intuitive. Her work often begins with photographic fragments, which she obscures or transforms through layers of paint, building figures that seem to hover between the human…
Theo Xiangyu Liu’s photographic practice examines the tension between visibility and interiority within contemporary Asian diasporic life. Working across portraiture, performance, and staged tableaux, Liu constructs images that challenge the assumption that identity must be articulated through clarity. Instead, he uses opacity, gesture, and spatial ambiguity as active tools—inviting subjects to inhabit a space where…
Knowledge is power
Join our mailing list and as well as keeping you informed on all things Moonman, you can subscribe your calendar app to our art and fashion event diary.