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CONSTANCE 15

In Constance 15, the collaboration between Tina Berning and Michelangelo Di Battista examines the threshold between photography and drawing. The artists merge two distinct gestures—the lens and the line—into a single act of revision. Berning’s interventions over Di Battista’s portraits replace photographic completion with a surface that remains in flux, revealing both image and trace.

The work occupies a dialogue between constructed beauty and the evidence of touch. Layers of graphite, paint, and incision alter the portrait without erasing it, transforming representation into palimpsest. What emerges is neither photograph nor illustration but an encounter with the mutable identity of the subject itself—a study in impermanence rendered through restraint and precision.


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